Web Exclusives
WHAT OUR MEMBERS DO: Josh Glass, Animatic Editor
“I did not come to Los Angeles to pursue editing; I initially wanted to be a comedy writer.” […]
Film
Web Exclusives
David Jancsó Talks Editing ‘The Brutalist’ and Working with Actor-Directors
By Rob Feld David Jancsó’s path to becoming a film editor seems both inevitable and serendipitous. Born and raised […]
Tail Pop
TAIL POP: ‘Do the Right Thing’ was Raw, Funny — and Sometimes Scary
‘I couldn’t deal with what I was seeing. I felt betrayed.’ […]
Web Exclusives
Nick Emerson Talks Editing Ralph Fiennes in Papal Drama ‘Conclave’
“When I read the script, I loved it—it was a thriller with something to say, offering a peek behind the curtain of this fascinating institution. I was immediately drawn in.” […]
Web Exclusives
Hit That Note: Sofía Subercaseaux on Editing Angelina Jolie in ‘Maria’
“You can’t do a movie about Maria Callas without using her real voice. It’s not like a rock or pop biopic where you can match the pitch.” […]
Web Exclusives
Jesse Goldsmith on Editing Time (a Lot of It) and Space in Robert Zemeckis’ ‘Here’
“When the movie was originally described to me before I read the script, it sounded like it was almost going to be in a single shot.” […]
Web Exclusives
Putting the Puzzle Together: The Editing Journey of ‘Unfrosted’ Editor Evan Henke
By Rob Feld Evan Henke has always had that fascination with a certain art form. “Ever since I was […]
Web Exclusives
‘Beetlejuice Beetlejuice’: Jay Prychidny on Editing in Tim Burton’s World
‘That was a huge lesson for me—realizing that audiences really don’t need everything spelled out.’ […]
Web Exclusives
Jamie Kirkpatrick, ‘Greedy People’ Editor, Talks Mentorship, Spielberg, and More
By Rob Feld For Jamie Kirkpatrick, ACE, the path to editing began in the Midwest, where, as an only […]
Web Exclusives
Doc Crotzer and Paul Hsu Tell the Post Secrets Behind the ‘Road House’ Remake
“Doug wanted to make what he called a ‘grounded popcorn action movie,'” said picture editor Doc Crotzer, ACE. […]
