Goldenberg’s C.V. covers a long list of projects, ranging from big-budget actioners like “6 Underground” (2019) and Michael Bay’s “Transformers” films to quieter dramas like “Unbroken” (2014) and “Seabiscuit” (2003). […]
“You can’t just show up with backgrounds that a visual effects studio built, put the actors in front of it, and think you’re going to shoot it.” […]
“If you can keep an audience connected to the character and the story, and not lose them on pacing, then you’re doing your job well.” […]
By Patrick Z. McGavin As an undergraduate in the film department at Boston University, Sofi Marshall made a crucial […]
Littleton’s film credits include “E.T.: The Extra-Terrestrial,” “Body Heat” and “Places in the Heart,” and she also left a lasting imprint on Hollywood labor during her two terms as president of the Editors Guild. […]
By Patrick Z. McGavin Spencer Averick, ACE, has always crossed genre boundaries. Working closely with director Ava DuVernay, Averick […]
“I love it when I get into this groove and I can’t believe a half hour has gone by and I’ve just been cutting things.” […]
“It is a performance-driven film so there’s nothing to hide behind.” […]
“One of the things we had to adapt very early on is the communication in the form of notes from Michael.” […]
by Kristin Marguerite Doidge Sunday’s 74th Annual ACE Eddie Awards, presented by American Cinema Editors (ACE), brought together […]
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