Web Exclusives
Sandra Adair Pieces Together the Editing Behind Richard Linklater’s Hit ‘Hit Man’
“If you can keep an audience connected to the character and the story, and not lose them on pacing, then you’re doing your job well.” […]
Film
Web Exclusives
Sofi Marshall Talks Editing Horror Feature ‘I Saw the TV Glow’
By Patrick Z. McGavin As an undergraduate in the film department at Boston University, Sofi Marshall made a crucial […]
Web Exclusives
Legendary Editor Carol Littleton’s Contributions to Film and Labor Celebrated at Hollywood Event
Littleton’s film credits include “E.T.: The Extra-Terrestrial,” “Body Heat” and “Places in the Heart,” and she also left a lasting imprint on Hollywood labor during her two terms as president of the Editors Guild. […]
Web Exclusives
Spencer Averick Talks Editing the Epic Stories in Ava DuVernay’s ‘Origin’
By Patrick Z. McGavin Spencer Averick, ACE, has always crossed genre boundaries. Working closely with director Ava DuVernay, Averick […]
Awards
2024 IA/VA: ACE Panel Highlights ‘Oppenheimer,’ ‘The Holdovers,’ Other Best Editing Oscar Nominees
“I love it when I get into this groove and I can’t believe a half hour has gone by and I’ve just been cutting things.” […]
Features
In ‘American Fiction’, Picture Editor Hilda Rasula Made the Most of a Commanding Lead Performance
“It is a performance-driven film so there’s nothing to hide behind.” […]
Behind the Scenes
How the Post Team of ‘Ferrari’ Worked Together to Bring an Auto Epic to Life
“One of the things we had to adapt very early on is the communication in the form of notes from Michael.” […]
Awards
2024 ACE Eddie Awards: ‘Holdovers,’ ‘Oppenheimer,’ ‘Taylor Swift: Eras,’ ‘The Bear’ and ‘Beef’
by Kristin Marguerite Doidge Sunday’s 74th Annual ACE Eddie Awards, presented by American Cinema Editors (ACE), brought together […]
Behind the Scenes
Kevin Tent Explains the Editing Process Behind Alexander Payne’s ‘The Holdovers’
“The Holdovers,” set over Christmas vacation in 1970 at a New England boarding school for boys, is the bittersweet portrait of complicated relationships among a grumpy teacher with a troubled past (Paul Giamatti), his callow student (Dominic Sessa) and a long-suffering dining-hall cook (Da’Vine Joy Randolph). Tent talked about editing for tone, tempo and rhythm, as well as his efforts on behalf of picture editors as the president of ACE. […]
Behind the Scenes
Past Production: How the ‘Maestro’ Team Recreated the Music – and Marriage – of Leonard Bernstein
“The whole goal was: ‘How do we keep Lenny’s heartbeat and human nature alive through the whole thing?’” […]
