Features
TECHNOLOGY: How Sound Crews Work Hard to Get the Right Levels on Theatrical Mixes
‘Wait a minute. It doesn’t sound like it did on the mixing stage.’ […]
Film
Web Exclusives
Doug Mountain Talks About Remastering Bruce Lee’s ‘Enter the Dragon’ for 50th Anniversary Release
By Mel Lambert With Dolby Atmos immersive playback now available in an increasing number of consumer environments, is it […]
Web Exclusives
Harry Yoon and Stefanie Visser Talk Editing ‘Aristotle & Dante Discover the Secrets of the Universe’
By Kristin Marguerite Doidge Just as the protagonists in “Aristotle & Dante Discover the Secrets of the Universe” find […]
Cover Story
From ‘Renfield’ to ‘Perry Mason’: The Creative Journeys of Editor Mako Kamitsuna
‘It’s all about making this movie fly, transform and transport audiences.’ […]
Features
In Memoriam: Marion Rothman, Film Editor
Marion was known for her dedication to bringing the director’s vision to the screen, and she was fiercely loyal to the many varied directors she worked with. […]
Web Exclusives
Nick Houy on Editing ‘Barbie’ and Mentoring the Next Generation of Editors
“A movie’s like an album. It has to flow properly in a lot of ways, and you have to be able to dance to the rhythm of the dialogue and the rhythm of the scenes and motion.” […]
Web Exclusives
WHAT OUR MEMBERS DO: Shiran Carolyn Amir, ACE, Picture Editor
“I’m a film and TV editor with experience in drama, horror, action and comedy.” […]
Columns
Words Like Bullets: How ‘Sweet Smell’ Met with Success
Why ‘Sweet Smell’ Succeeded […]
Web Exclusives
‘John Wick 4’ Post Team Talks About the Pleasures (and Sometimes the Pain) of the Action Hit
By Su Fang Tham With its entrancing medley of neon-drenched kinetic action, pulpy narrative, and a retro-cool mythological world, director […]
Web Exclusives
WHAT OUR MEMBERS DO: Alyssa Donovan, Assistant Editor
“Try to be up to date on both Avid and Premiere. I am seeing more and more job postings for Premiere.” […]
