OP / EDIT
GET RETESTED! More Thoughts on Pre-Release Screenings
How does one run a proper test screening? […]
Film
Tail Pop
Alex Cox’s ‘REPO MAN’ (1984)
It was 1984, and I walked out of the movie theatre electrified. […]
Tail Pop
DA Pennebaker’s ‘Dont Look Back’ (1967)
In ‘Don’t Look Back’, the action unfolds at the rhythm of life. […]
Tail Pop
Luis Buñuel’s ‘THE DISCREET CHARM OF THE BOURGEOISIE’ (1972)
Looking back at ‘Discreet Charm’, the time manipulation feels precious. […]
Features
Assistant Living: Kyle Gilman Keeps Busy as He Works His Way Toward Editor
CineMontage recently spoke to Kyle Gilman about working with Hal Hartley, as well as his experience as assistant editor on three 2008 features. […]
Tail Pop
Jerry Lewis’ ‘The Nutty Professor’ (1963)
‘The Nutty Professor’ (1963) consistently elicits a profound emotional response. […]
Features
George Lucas’ ‘Star Wars’ (1977)
I’m convinced that ‘Star Wars’ has caused more people to enter the film industry than any other motion picture in history. And I’m one of them. […]
Features
The Droid Olympics: When Editing was a Competitive Sport
The friendly spirit of camaraderie and community combined with an excitement about the art and craft of film, reached its epitome in the Droid Olympics. […]
Features
Elia Kazan’s ‘Splendor In The Grass’ (1961)
‘Splendor in the Grass’ is visually sensual. […]
Features
Hanley & Hill: Howard’s Editing Tag-Team
“Seamless” is the term supervising sound editor Chic Ciccolini uses to describe the working method of Hanley and Hill. […]
