Tail Pop
DA Pennebaker’s ‘Dont Look Back’ (1967)
In ‘Don’t Look Back’, the action unfolds at the rhythm of life. […]
Film
Tail Pop
Luis Buñuel’s ‘THE DISCREET CHARM OF THE BOURGEOISIE’ (1972)
Looking back at ‘Discreet Charm’, the time manipulation feels precious. […]
Features
Assistant Living: Kyle Gilman Keeps Busy as He Works His Way Toward Editor
CineMontage recently spoke to Kyle Gilman about working with Hal Hartley, as well as his experience as assistant editor on three 2008 features. […]
Tail Pop
Jerry Lewis’ ‘The Nutty Professor’ (1963)
‘The Nutty Professor’ (1963) consistently elicits a profound emotional response. […]
Features
George Lucas’ ‘Star Wars’ (1977)
I’m convinced that ‘Star Wars’ has caused more people to enter the film industry than any other motion picture in history. And I’m one of them. […]
Features
The Droid Olympics: When Editing was a Competitive Sport
The friendly spirit of camaraderie and community combined with an excitement about the art and craft of film, reached its epitome in the Droid Olympics. […]
Features
Elia Kazan’s ‘Splendor In The Grass’ (1961)
‘Splendor in the Grass’ is visually sensual. […]
Features
Hanley & Hill: Howard’s Editing Tag-Team
“Seamless” is the term supervising sound editor Chic Ciccolini uses to describe the working method of Hanley and Hill. […]
Tail Pop
James Bridge’s ‘The Paper Chase’ (1973)
This was a revelation. The idea that if you’re not careful, life can turn into one big “paper chase” from birth certificate to death certificate, was something I had never considered. […]
Tail Pop
George Cukor’s ‘The Philadelphia Story’
Only Richard Curtis seems capable of executing scripts that harken back to ‘The Philadelphia Story’s’ complexity. […]
