
This Quarter in Film History: An Affair to Remember?
‘Last Year at Marienbad’ remains one of the most famous films made, perhaps because it is so elegant––and yet so infuriating. […]
‘Last Year at Marienbad’ remains one of the most famous films made, perhaps because it is so elegant––and yet so infuriating. […]
This was unlike any movie I had ever seen. The movie unfolded with a slow, measured pace, revealing image after gorgeous image. […]
Though Jack Sullivan won an Oscar for Best Assistant Director for ‘The Charge of the Light Brigade’, it is the breathtaking editing by George Amy of the charge that makes the film a classic. […]
Watching ‘Member of the Wedding’ made me aware for the first time of the art of editing. […]
‘Cabaret’ proved that a mainstream musical could feature avant-garde editing and design, and be sexually unconventional and political. […]
While overseeing the mix of ‘Dreamgirls’ at Todd-AO West in Santa Monica, California, writer/director Bill Condon spoke with CineMontage. […]
Ginny Katz is a pleasure to work with, and her warm and generous spirit characterizes her friendships just as her distinctive talent marks every cut of her films. […]
The job of the story analyst goes way beyond reading a script. […]
Napoléon vu par Abel Gance has had as many comebacks as the conqueror it portrayed, yet has always remained Waterloo-proof. […]
Chaplin’s on-screen mixture of humor, acrobatics and pathos has an almost magical ability to put a smile in one’s heart. […]
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