High Noon has often been interpreted as an anti-McCarthy era story of mass cowardice when confronted by evil. It is a moot point now because the story has multiple meanings as a personal epiphany. […]
After seeing ‘The Graduate’, I realized that movies could be an art form. […]
CineMontage recently visited Pulcini in his New York editing suite. […]
Picture editors Erik Ewers and Tricia Reidy are an integral part of Florentine Films’ post-production team. […]
‘The Manchurian Candidate’ reveals how the two sides of extremism can destroy centrist politics. […]
‘The Third Man’ cleverly uses its Viennese locations to deepen the intrigue; the city itself becomes a character in the film. […]
Terry George certainly knows his way around an intense drama. His tales require perfect pitch and rhythm. To maintain that balance, George repeatedly turns to editor Naomi Geraghty. […]
Body and Soul has remained one of the least dated, most influential films since its release 60 years ago. […]
Persona is Bergman’s meditation on identity, the nature of art, loneliness and the inability of man to ever truly communicate with another. […]
CineMontage recently spoke to Francis Ford Coppola and Walter Murch in separate interviews. […]
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