Coates Quotes
“Hugh Hudson is a brilliant and underrated director, but very difficult to work with. He didn’t cooperate with the studios; he was cutting out the stuff they wanted in and vice versa.”-Anne V. Coates […]
“Hugh Hudson is a brilliant and underrated director, but very difficult to work with. He didn’t cooperate with the studios; he was cutting out the stuff they wanted in and vice versa.”-Anne V. Coates […]
Just what does the end of the world sound like? That’s the question that faced supervising sound editors/sound designers Steven D. Williams, MPSE, and Eric Norris, MPSE, as they approached this daunting film. […]
The production and post-production of Ridley Scott’s ‘All the Money in the World’ is one of the most fascinating filmmaking stories of the past year, perhaps the decade. […]
In the early 1960s, when he first met director Karel Reisz, editor John Bloom already knew his way around a cutting room. By then, the London-born editor had risen through the ranks as an assistant editor to cut several films solo. […]
The American Cinema Editors (ACE) have announced nominations for the 68th Annual ACE Eddie Awards, recognizing outstanding editing in ten categories of film, television and documentaries. […]
Foley artist Catherine Harper, MPSE, remembers the first time she encountered filmmaker David Lynch. In 1996, she was about to start creating Foley sounds for Lynch’s upcoming film, ‘Lost Highway.’ […]
As on previous occasions, Mix magazine’s fourth annual Sound for Film & TV conference was held at Sony Pictures Studios in Culver City in cooperation with the Cinema Audio Society (CAS) and Motion Picture Sound Editors (MPSE). […]
Introducing the program, ACE President Stephen Rivkin welcomed the audience and announced that for the first time, EditFest LA was being streamed online. […]
The eponymous hero of ‘Baby Driver,’ played by Ansel Elgort, is forced to work for a veteran kingpin in exchange for the start of a better life. […]
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