Although it is often considered something of a specialist art form, an appreciation of the intricacies of Foley walking can be extremely useful for any post professional working in film and TV. […]
Mixing teams work best when the chemistry is good, the working style is compatible and the size of the job calls for a team approach. […]
The challenge with NCIS from a sound editorial perspective, according to Schorer, is the relentless amount of detail. […]
Foley artist Catherine Harper, MPSE, remembers the first time she encountered filmmaker David Lynch. In 1996, she was about to start creating Foley sounds for Lynch’s upcoming film, ‘Lost Highway.’ […]
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