Television kept post-production people employed during the post-World War II years in New York. Feature film was a West Coast commodity, but the Madison Avenue advertising firms, such as J. Walter Thompson, Benton & Bowles and Hill & Knowlton, among others, were a major part of the “go-go” years in Manhattan. […]
Union staff can’t take the place of the membership. That means you have a role, too. […]
Along with the Guild’s Board, during his tenure, Kutak has overseen much transformation at the local as it has adapted to the upheavals and constant change that are a given in the entertainment industry. […]
In celebration of the Editors Guild’s 80th anniversary on May 20, 2017, we reprint this story on the founding of the Society of Motion Picture Film Editors, the forerunner of today’s Guild, which originally appeared in CineMontage JAN-FEB 2012 […]
The 1980s were very busy years for the East Coast Editors Guild, Local 771, and the period of its highest level of membership. By 1987, more than 1,200 people were working in features and at the television networks. […]
Moviolas and splicers, rewinders and synchronizers, photographs and books, the memories of post-production personnel… The history of the craft of editing is in the Guild Archive. […]
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