
The Ones That Got Away: Editing and Sound Oscars That Should Have Been
With the clarity of hindsight,perhaps the Academy can find a way to single out those films of past years that may have been unjustly overlooked.
With the clarity of hindsight,perhaps the Academy can find a way to single out those films of past years that may have been unjustly overlooked.
War for the Planet of the Apes, the third chapter of 20th Century Fox’s latest reboot of the Planet of the Apes franchise, opened July 14, almost three years to the day after Dawn of the Planet of the Apes, the second in the series. […]
As one of the most anticipated sequels, with one of the longest waits ever for it to come to fruition, ‘Blade Runner 2049’ pays tribute to Ridley Scott’s iconic sci-fi offering from 1982. […]
The Editor’s Guild Newsletter talked to Steven Mark just as he was embarking on ‘X-Files: Millennium.’ […]
An interview with the Emmy-winner Randy Morgan, picture editor for ‘ER’. […]
Conrad Buff sits down with the Editor’s Guild Newsletter to discuss editing ‘Titanic’ […]
Picture Editors Bill Goldenberg, Paul Rubell and David Rosenbloom sit down and discuss ‘The Insider’ […]
Editor Thelma Schoonmaker and director Martin Scorsese discuss the opening sequence from ‘Gangs of New York.’ […]
“Great film editing begins with great pictures,” said Barbara “Bobbie” McLean in a 1977 interview in Film Comment magazine. She could make such a gracious statement with authority at that point, after cutting for more than 60 years, beginning as […]
In his study of silent films, The Parade’s Gone By…, author Kevin Brownlow described editing as “the hidden power.” “Editors are passed over by film historians because their work, when successful, is virtually unnoticeable,” Brownlow wrote. […]
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