Features
Editor & Cinematographer: Steve Mirkovich and Allen Daviau (Part 1)
Steve Mirkovich and Allen Daviau talk about problems with previews and video dailies, the longevity of 35mm film, changes in editorial styles and more. […]
Picture Editors
Features
Editor & Cinematographer: Steve Mirkovich and Allen Daviau (Part 2)
Steve Mirkovich and Allen Daviau discuss the importance of defending their crews, why they choose one project over another, and how they deal with the stress of tight schedules. […]
Features
Pictures and Music: Richard Chew and Curt Sobel Part 1
In this conversation, Richard Chew and Curt Sobel talk in detail about the process of music editing and how they’ve worked together to tell a story with music. […]
Features
Editors & Assistants – A Status Report Guild Mentoring Seminar
The job of the assistant editor has changed substantially over the last decade. […]
Features
Picture and Music: Richard Chew and Curt Sobel Part 2
Film editor Richard Chew and music editor Curt Sobel talk about how digital technology has affected their jobs, the recent trend toward shortened schedules, the difference between tracking and working with a composer, and more. […]
Features
Making Visual Music: an Interview with Walter Murch
Joseph “Jay” Duerr’s interview with Walter Murch. […]
Features
Digital Desperado: Robert Rodriguez’s HD Noir
Frank Miller’s Sin City represents a new breed of digital filmmaking. It’s a practical example of what the 4:4:4 HD filmmaking revolution is about and its creation is a demonstration of the workflow that filmmakers use to create digital films of striking image quality. […]
Features
Method Man: Jay Rabinowitz Finds that the Film Tells Him How to Edit It
One of the joys of working in theatrical professions is the episodic nature one’s life can take, Editor Jay Rabinowitz, ACE, is one who has had this experience in spades. […]
Features
Mick Audsley Unlocks the Chamber of Secrets behind ‘Goblet of Fire’
Harry must grapple with a giant, fire-breathing Hungarian Horntail dragon and battle underwater demons in the Black Lake. Post-production was no less daunting. […]
Features
The Moviola Mavens: Three Pioneering Women Editors
During the Golden Age of Hollywood, Louis B. Mayer, Darryl F. Zanuck and Cecil B. De Mille were powerful enough to determine who would work in the American film industry. […]
