Sound editor and mixer Larry Blake, supervising sound editor Mark Mangini, and re-recording mixers Michael Minkler and Myron Nettinga talk frankly about the blending of sound mixing and sound editing. […]
The same loyalty that they give him, Ron Howard gives back in trust, respect and collaboration. […]
The Editors Guild’s Membership Outreach Committee is looking for members in good standing to be instructors in the Master Class program and share their knowledge and experience with the younger generation of our membership. […]
CineMontage recently spoke to Francis Ford Coppola and Walter Murch in separate interviews. […]
The 2017-2018 Awards Season officially came to a close on Sunday evening, March 4, with the 90th annual Academy Awards ceremony, in which the coveted Oscar statuettes were presented to the winners. […]
“Sound is 50 percent of the movie; it is critical.” – Michael Bay […]
“On this film the director is always right…even when he isn’t.” – unnamed director […]
Re-recording mixers Kevin O’Connell and partner Beau Borders have been working tirelessly since last October on mixing Michael Mann’s period gangster crime drama Public Enemies. Mann’s passion for detail and authenticity has been the hallmark of the film’s sonic nuances, according to O’Connell. […]
Once again, the Academy Awards nominees in the Best Sound Mixing category cover a wide cross section of offerings — from a hearing-challenged getaway driver to a family squabble across multiple dimensions […]
he Academy of Motion Picture Arts and Sciences announced the nominations for the 2018 Academy Awards. […]
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