
LEE DICHTER, CAS Re-Recording Mixing Credits
2017 Wonder Wheel 2016 Café Society 2015 Everything Is Copy (Documentary) Irrational Man 2014 A Walk Among the Tombstones Rosewater […]
2017 Wonder Wheel 2016 Café Society 2015 Everything Is Copy (Documentary) Irrational Man 2014 A Walk Among the Tombstones Rosewater […]
Taking a cue from Netflix, Amazon and other media providers, DC Entertainment and Warner Bros. Digital Networks last year unveiled DC Universe, a video-on-demand service that will include original TV programming, access to select animated series and films from an extensive back catalog. […]
The winners of the 70th Creative Arts Emmy Awards were announced at a two-night ceremony, Saturday, September 8 and Sunday September 9, at the Microsoft Theatre in Hollywood. Following are the winners in the post-production categories: […]
The world of episodic TV and cable has been experiencing some major challenges during recent seasons. As appointment viewing transitions to more on-demand streaming and even binge-watching, there is a pressing need to deliver increasingly innovative and enveloping soundtracks for a wider range of offerings. […]
“Developing a soundtrack is a collaborative process, from the spotting session to the dub stage,” stressed Oscar–nominated sound designer, supervising sound editor and re-recording mixer Ai-Ling Lee, CAS. […]
Nominations for the 70th Emmy Awards were announced on Thursday morning, July 12 by the Television Academy. The Editors Guild congratulates all of its members who received nominations. […]
The Academy of Motion Picture Arts and Sciences has extended invitations to join the organization to 928 artists and executives from 59 countries — including 37 Editors Guild members in good standing — who have distinguished themselves by their contributions to theatrical motion pictures […]
With a promise of offering a novel direction for HBO’s multiple-Emmy Award-winning sci-fi drama ‘Westworld,’ its second season is also breaking new ground in the sound department. […]
From the beginning of his film career in the early 1950s, filmmaker Robert Altman has utilized sound in unorthodox and spontaneous ways. […]
They say brevity is the soul of wit, and scoring mixers seem to have a sense of humor about what their job entails. “We get coffee for the composer. End of inter- view,” Alan Meyerson jokes. Well, not so fast. […]
©2016-2025 Motion Picture Editors Guild