“Developing a soundtrack is a collaborative process, from the spotting session to the dub stage,” stressed Oscar–nominated sound designer, supervising sound editor and re-recording mixer Ai-Ling Lee, CAS. […]
Nominations for the 70th Emmy Awards were announced on Thursday morning, July 12 by the Television Academy. The Editors Guild congratulates all of its members who received nominations. […]
The Academy of Motion Picture Arts and Sciences has extended invitations to join the organization to 928 artists and executives from 59 countries — including 37 Editors Guild members in good standing — who have distinguished themselves by their contributions to theatrical motion pictures […]
The period during which the newsletter circulated was a critical and tumultuous one for movie sound. It was clear to all that digital would ultimately replace multi-track analog, but no one knew when, or in what format. […]
Remember, the job you lose just may be your own! […]
From the beginning of his film career in the early 1950s, filmmaker Robert Altman has utilized sound in unorthodox and spontaneous ways. […]
Some excerpts from a panel of sound effects professionals. […]
The producers see the character of Dexter as having different, sonically distinct modes of operation; that drives their creative decisions. […]
“There were several gun battles and a serious rocky fall that contained no traditionally scored music. The absence of music allowed our sound effects and Foley to take the soundtrack’s exclusive and full dynamic range.” – Wylie Stateman […]
During the past 35 years, Randy Thom, CAS, MPSE, has helped define the creative art of sound for feature films, and has been an inspiration to colleagues and assistants alike. Thom is this year’s recipient of the MPSE Career Achievement Award from the Motion Picture Sound Editors, which was presented at its 61st annual Golden Reel Awards, held at the Westin Bonaventure Hotel in Los Angeles February 16. […]
©2016-2021 Motion Picture Editors Guild
