To relate the history of film post- production sound during the past 75 years is to tell the story of the creative post facilities that made such developments possible through a combination of tenacity and technical developments. […]
In his study of silent films, The Parade’s Gone By…, author Kevin Brownlow described editing as “the hidden power.” “Editors are passed over by film historians because their work, when successful, is virtually unnoticeable,” Brownlow wrote. […]
Shortly after its theatrical release, having barely made back its cost, the film was pulled from distribution, and quickly forgotten. In the decades that followed, it never quite acquired the noble status of a cult classic, nor was it ridiculed as one of the Golden Turkeys — the worst pictures ever made. It simply disappeared from view. […]
How has societal change affected women in post production? […]
It’s not only the “when” of ADR that is being re-examined, but also the “how” and “where.” […]
Editors Guild members sometimes need to exercise their storytelling talents and share their insights on their craft in the print medium in addition to the audio- visual. This year to date, four books have been published by members of the Guild about their work. […]
Midge Costin, MPSE, is making a documentary about motion picture sound and its editing. […]
Scheduled to unveil on September 2 in its 10-episode entirety, Season 2 of Netflix’s hit series Narcos is expected to prove as popular as the initial offering — and probably will be viewed in extended binge-watching sessions […]
On a chilly Thursday evening in mid-November, the Hollywood Professional Association (HPA, formerly the Hollywood Post Alliance) celebrated the presentation of its 11th Annual HPA Awards at the Skirball Cultural Center in Los Angeles. […]
Kay Rose’s approach to sound editing has always been through story. […]
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