Steve Hullfish knows how to talk with editors. In addition to writing five previous books (all published by Focal Press), including The Art and Technology of Digital Color Correction and Avid Uncut, he has extensive post-production credits in both television and film. […]
For four years in the mid-1990s, Julie Anne Lau counted among her collaborators a frog prone to singing and dancing, a conspiratorial-minded duck and a wascally wabbit. […]
The job of the assistant editor has changed substantially over the last decade. […]
Assistant Editors and Camera Assistants discuss issues such as career advancement, technological developments and the future of the industry as they see it. […]
Has MTV reinvented or hobbled the art and craft of editing? […]
A zippier editing style has achieved institutional status, through MTV […]
Serialized dramas with one story arc per season aren’t a new thing in television. Two of them look particularly promising. […]
The American Experience had a unique style and zeitgeist. The stories were never pat interpretations of historical figures and events, nor did they shy away from the chronicles of lost causes, defeats, rough compromises and violence. […]
Sound editor Lon Bender, MPSE, knew that he needed to leverage his many years of experience to develop a time-conscious workflow for director Kaige Chen’s IMAX 3DChinese martial arts offering ‘Monk Comes Down the Mountain’ […]
The idea to reboot the legendary, award-winning miniseries Roots nearly 40 years later was executive producer Mark Wolper’s, and it did not come easily. […]
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