“I’m someone that likes to solve puzzles, or build Legos, that kind of king. The way I view editing is just having a lot of pieces together, with not necessarily a clear vision of what you want from start to finish, but you’re molding and building it for a while, and then you get to the final picture.” […]
by Kristin Marguerite Doidge Sunday’s 74th Annual ACE Eddie Awards, presented by American Cinema Editors (ACE), brought together […]
“I’ve watched the ‘Star Wars’ films in the past and recognize the famous characters, but didn’t know much beyond that. So coming into this big galaxy was both exciting and new to me.” […]
By Kristin Marguerite Doidge Emmy Award-winning picture editor Stephanie Filo, ACE, has found herself at the center of several […]
Ray has an eclectic lane of projects from Jazzin at the White House to Jimmy Fallon’s “That’s My Jam!” Please join us in celebrating Ray Artis today! […]
“So much of the tone of the show is set in the edit bay, and we are super-fortunate to have a group of editors that work in collaboration.” […]
“I was blown away by the ambition of it all, but the producers were very vague about what the final product would be.” […]
“Online editing may seem a little less creatively rewarding compared to offline editorial, but I find visual effects to be a satisfying creative outlet by developing new workflows and solving problems in session and on the fly.” […]
“The biggest challenge is probably the crossover episodes for all the Dick Wolf shows. Crossover episodes are basically three episodes tied together to make a single three-hour story.” […]
“Peter Berg was open-minded when we started the project and wanted to see what we wanted to bring to it. He had this ongoing mantra to be fearless.” […]
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