Cut to Black: Ray Artis, Television Editor
Ray has an eclectic lane of projects from Jazzin at the White House to Jimmy Fallon’s “That’s My Jam!” Please join us in celebrating Ray Artis today! […]
Ray has an eclectic lane of projects from Jazzin at the White House to Jimmy Fallon’s “That’s My Jam!” Please join us in celebrating Ray Artis today! […]
“So much of the tone of the show is set in the edit bay, and we are super-fortunate to have a group of editors that work in collaboration.” […]
“I was blown away by the ambition of it all, but the producers were very vague about what the final product would be.” […]
“Online editing may seem a little less creatively rewarding compared to offline editorial, but I find visual effects to be a satisfying creative outlet by developing new workflows and solving problems in session and on the fly.” […]
“The biggest challenge is probably the crossover episodes for all the Dick Wolf shows. Crossover episodes are basically three episodes tied together to make a single three-hour story.” […]
“Peter Berg was open-minded when we started the project and wanted to see what we wanted to bring to it. He had this ongoing mantra to be fearless.” […]
“I think my passion shone through and that’s how I wound up working on Season One.” […]
“This is one of those things where you read it and it just works in a number of ways.” […]
“Here was this grand opportunity to work with a majority female crew in terms of the top positions: majority female directors, a female showrunner, and majority women in post.” […]
By Kristin Marguerite Doidge Growing up as a first-generation Mexican-American, Angel Gamboa Bryant thought she might have a career […]
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