WHAT OUR MEMBERS DO: Andrew Ralston, Picture Editor
“The biggest challenge is probably the crossover episodes for all the Dick Wolf shows. Crossover episodes are basically three episodes tied together to make a single three-hour story.” […]
“The biggest challenge is probably the crossover episodes for all the Dick Wolf shows. Crossover episodes are basically three episodes tied together to make a single three-hour story.” […]
“Peter Berg was open-minded when we started the project and wanted to see what we wanted to bring to it. He had this ongoing mantra to be fearless.” […]
“I think my passion shone through and that’s how I wound up working on Season One.” […]
“This is one of those things where you read it and it just works in a number of ways.” […]
“Here was this grand opportunity to work with a majority female crew in terms of the top positions: majority female directors, a female showrunner, and majority women in post.” […]
By Kristin Marguerite Doidge Growing up as a first-generation Mexican-American, Angel Gamboa Bryant thought she might have a career […]
Everything in this industry is about collaboration, and part of my job is to make sure that my editor’s day goes as smoothly as possible. […]
“When I read the pilot script, I was struck by how important it is that we understand the story is still relevant today.” […]
“I’ve always loved cutting arguments between couples, or arguments in general.” […]
‘It’s all about making this movie fly, transform and transport audiences.’ […]
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