“It’s a story of a stepmom and a stepdaughter bonding. They’re totally unbonded at the beginning and they need to be a family by the end. That’s what I connected to.” […]
“I started to recognize that this was a portrait of Korean Americans and Asian Americans in general that we hadn’t seen before.” […]
“Our events have been a great way for us to increase engagement with our membership as well as reach people who aren’t yet in the union and still have questions.” […]
“I remember being stunned when I saw the first episodes with the cars floating freeform and the robots without the puppeteers.” […]
“Part of the trick of being an editor involves the politics of being a good soldier while also doing your best to protect the integrity of the cut and doing what you know will work.” […]
“Ask questions as much as possible.” […]
“It was the greatest collaboration I’ve ever had.” […]
“I realized that through editing, I could say so much of what I had wanted to through directing.” […]
More than five decades after Watergate, Hunt and Liddy’s plotting, planning, and law-breaking can come across as darkly humorous, but director David Mandel emphasized the unique mix of comedy and drama that came to define the show. […]
“The editors are elevated has been rare in my experience, and that was something incredibly unique about this show.” […]
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