Features
Advice When Cutting Overseas
We spoke to several world-class cutters who provide some specific tips on how to make the experience of editing abroad as headache-free as possible. […]
Year: 2004
Features
King Kong is Coming Back
‘King Kong’ (1933) was a pioneering film in many ways, including post production. […]
Features
‘WILLIAM FRIEDKIN: Films of Aberration, Obsession and Reality’ a review
Director William Friedkin, by virtue of ‘The Exorcist’ and ‘The French Connection’, was one of the pantheon of 70’s directors. […]
Tail Pop
Peter Berkos
Sound effects have been Peter’s life. […]
Features
Status of Women in Post-Production
How has societal change affected women in post production? […]
Columns
Dede Allen
Her emotional and gutsy style on films established her reputation as a premier actor’s editor. […]
Features
Cutting Inflight Movies: Projecting Changes
The process of cutting movies for airlines remains subject to certain time-honored rules. […]
Features
Location ADR: A Moveable Feast
It’s not only the “when” of ADR that is being re-examined, but also the “how” and “where.” […]
Features
Alan Heim on ‘The Notebook’
“When you’re editing, you’re manipulating not only the material, you’re manipulating the audience” – Allan Heim […]
Features
A Tribute to Ralph E. Winters in Memoriam
The Editors Guild lost its oldest active member granted a 50-year honorary status, Ralph E. Winters. […]
