Film Editing: The Art of the Expressive
‘Film Editing: The Art of the Expressive’ by Valerie Orpen is a highly theoretical examination of editing as an essential but greatly misunderstood aspect of motion picture production. […]
‘Film Editing: The Art of the Expressive’ by Valerie Orpen is a highly theoretical examination of editing as an essential but greatly misunderstood aspect of motion picture production. […]
What is a Foley artist? 41 years after its namesake’s death, Foley is among the last bastions of organic filmmaking––a cinematic art that is still relatively untouched by the digital revolution, and whose true origin belongs more to the Golden Age of radio than to the visual medium it so greatly enhances. […]
CineMontage recently sat down with the trio of Fringe editors––Jon Dudkowski, Tanya Swerling and Scott Vickrey, A.C.E.––to discuss their work. […]
Since its premiere 60 years ago in September 1948, ‘The Red Shoes’ has been a part of our lives and is the ‘Gone with the Wind’ of dance films. […]
It was editing that seduced me. To me, it was choreography, and I knew I had the instinct for it. […]
Dr. Strangelove was a confirmation of my growing belief about adults in positions of authority. […]
Director Jonathan Demme put his talented sound design and editing crew up to a Dogme 95-style challenge for his latest feature, Rachel Getting Married. […]
Foley was a name that stuck to the process, the location and the very special group of craftspeople who became, next to the physical actors, perhaps the most important performers in a motion picture. […]
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