Unlike many of my colleagues, I did not grow up a film nut. I was a sports nut, particularly baseball, and following my parents’ lead, a Gershwin, Sinatra and Broadway musical nut. For me, movies were fun, but nothing like watching the Yankees lose (a rare occurrence) or pretend- ing I was Frank, or Oscar Levant playing “Rhapsody in Blue” before a rapt audience at Carnegie Hall. […]
Here are our recommendations of actual books on paper for the film fan on your list.
[…]
It is not your job to do the editor’s laundry or walk the director’s dog or baby-sit the lead actor’s children. […]
What do NBC’s 30 Rock and HBO’s Bored to Death have in common? Both are award-winning half-hour comedies that poke fun at their creators/head writers/executive producers (Tina Fey and Jonathan Ames, respectively). […]
A ”Jack-of-all-trades and master of none” is what I thought of myself until I turned 30. […]
“Bring the work back into the cutting room” is the mantra of Terry Kelley, A.C.E. To save both money and time producing television shows and movies, picture editor Kelley has established a new workflow procedure that has proven successful on two television series—Showtime’s Brotherhood (2006-2008) and the conspiracy thriller Rubicon, which just finished its first season on AMC. […]
The Battleship Potemkin, or Potemkin as it is generally known, galvanized filmmakers around the world because of the audacity of its film editing––especially in the iconic Odessa Steps massacre. Its impact on editors and directors since its premiere in Moscow on Christmas Eve, 1925 is immeasurable. […]
It’s funny how it has taken director Edward Zwick and editor Steven Rosenblum, A.C.E., eight films together to return again to their thirtysomething TV roots from the 1980s. […]
Created by former Sopranos writer Matthew Weiner, AMC’s acclaimed Mad Men unveils the curiously alluring world of Don Draper, a top New York advertising man in the 1960s who has built his life around a series of lies. […]
©2016-2025 Motion Picture Editors Guild
