Redefining a Cinematic Art
Any film buff will enjoy this tome, but it will be a particular delight for editors to read these war stories from top professionals in the field. […]
Any film buff will enjoy this tome, but it will be a particular delight for editors to read these war stories from top professionals in the field. […]
The prevailing wisdom within Hollywood seems to be that a successful franchise needs a fresh start every few years to ensure a contemporary perspective and, hence, appeal to a newer generation of filmgoers for whom previous versions may seem passé. […]
Where were you in ’62?” was the tagline for American Graffiti when it was released 39 years ago, in August 1973. […]
The re-publication of this invaluable tome by Karel Reisz and Gavin Millar is a cause for celebration among editors and filmmakers. […]
Picture editor Irving James Wilkinson has unfortunately become the most obscure of the three original founders of the Society of Motion Picture Film Editors (SMPFE). Many sources, including the Guild’s own historical records (which were cited in the story on the beginnings of the SMPFE in the JAN-FEB 12 issue of this publication) had him confused with a similarly named contemporary, the sound editor James R. Wilkinson. […]
I was born on April 30, 1913, in Lone Wolf, Oklahoma. I’m 99 years old. I guess you’d say I’m old. Weightlifting for me is standing up… I’m so old they’ve discontinued my blood type… I can remember when the Dead Sea first got sick… Jokes, no matter their quality, should make you laugh. And laughter keeps you young. And I love to laugh. […]
Ghosts. I guess we’re never very far from them. You can’t really see them, but they’re always there. They’re quiet. Every now and then, one pops up, moves the furniture and leaves. You turn around to see the drapes swish and your life has changed. What was that!? […]
In many American homes in the early 20th century hung a framed poem by Rudyard Kipling, If, which begins with “If you can keep your head when all about you are losing theirs and blaming it on you. If you can trust yourself when all men doubt you…” and ends with “You’ll be a Man, my son.” […]
Thirty-five years ago, our colleagues at the prestigious film journal Film Comment in New York published a special 24-page section celebrating film editors — “Prime Cut” — which appeared in its March-April 1977 issue. […]
To those who knew him best, film editor Philip Cahn, who was born June 18, 1894, in New York City, was not a rabble-rousing sort. […]
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