From Musician to Music Editor: The Fortuitous Career of Michael Tronick
CineMontage spoke with Michael Tronick, A.C.E. as he was finishing work on ‘2 Guns’. […]
CineMontage spoke with Michael Tronick, A.C.E. as he was finishing work on ‘2 Guns’. […]
‘Sound for Digital Video’ provides a valuable overview for those planning to enter the audio-for-video production business. […]
From Here to Eternity (1953) is a transitional film in the American motion picture industry. It is probably the first major Hollywood release to express anti-establishment themes and the new morality. […]
Letters from our readers concerning our article on ‘Hud’ as well as issues regarding documentary editing awards. […]
CineMontage caught up with the two sound mixers as they were finishing work on ‘World War Z’ at Twickenham Studios in London. […]
They say that dogs are man’s best friends. The problem is that I didn’t have a dog when I grew up in the small town of Edinburg, Texas. […]
CineMontage explores two contrasting teams of music editors and the differing ways they worked together with their composers and music supervisors. […]
Sound editors and mixers need to be confident that their room acoustics are not skewing their judgment. […]
In 1970, as an apprentice in the cutting room of Richard Marden, editor of Sunday Bloody Sunday, we were a happy bunch; Dick, two assistants and myself. Now, as a motion picture editor, I’m mostly by myself, only sharing occasional intense sessions with the director and/or producer. […]
We need to improve our movies, and the only people who can point us in the right direction are those who offer us their unrestrained opinions, painful as they may be. […]
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