I am a graduate teaching assistant in Professor Alan Downer’s Twentieth-Century Theatre class at Princeton University in 1968. Along with several hundred students and a handful of other TAs, I am sitting in a lecture hall, eagerly awaiting Downer’s capsule reviews of the movies currently playing in town. […]
It’s not at uncommon, for transitions to be the editor’s focus, Jeffrey Michael Bays tries to remedy that. […]
The show’s title notwithstanding, this crew had proven itself clothed and courageous. […]
Eighty years after its February 22 premiere, ‘It Happened One Night’ remains one of the best films Hollywood has ever made. […]
In the summer of 1983, Risky Business opened to healthy box office returns and launched Tom Cruise’s rise to superstar status. […]
A few months before I started working on The Descendants, Alexander told me he wanted the score for that film to be made up solely of pre-existing, traditional Hawaiian music. It was an exciting challenge. […]
If you go to work to a distant location, the employment company has to provide various travel conditions to you. […]
“There were several gun battles and a serious rocky fall that contained no traditionally scored music. The absence of music allowed our sound effects and Foley to take the soundtrack’s exclusive and full dynamic range.” – Wylie Stateman […]
The release of Hancock’s current film, Saving Mr. Banks, which tells the tale of the making of Disney’s famous film, Mary Poppins, puts the spotlight on an unlikely pairing in many respects. […]
The owners and participants in Formosa Group are all creatives who together with 10 other seasoned post professionals, comprise the talent pool of a new operation that opened for business in early 2013. […]
©2016-2021 Motion Picture Editors Guild
