Features

The Wide, Wide West

When director Quentin Tarantino visualized his newest revenge Western, The Hateful Eight, as a 70mm widescreen production, sold it to distributor The Weinstein Company as such, and eventually upped the vintage widescreen aesthetic further by unearthing vintage lenses at Panavision and filming it in a format that Hollywood had not even attempted to use in almost 50 years — Ultra Panavision 70 — his intent was to make a piece of cinema that was a throwback to the rich, special- event theatrical spectacles of the analog era. […]

Getting Organized

Choose Your Box

In early October of this year, a group of employees at Leftfield Entertainment, a large reality television production company in New York, faced such a choice, set more or less explicitly in just such terms. And, only a few weeks earlier, the employees of Deluxe Culver City, an LA-area post-production facility, made effectively the same choice themselves, albeit not as explicitly framed. […]

Departments

Maciek Malish

Maciek Malish (Maciej Juliusz Malisz), 53, an acclaimed sound editor and winner of two Primetime Emmy Awards, passed away on September 12, 2015 after being struck by a car while riding his bicycle in Moorpark, California, near his home in Simi Valley. […]

Departments

Danford B. Greene

Danford B. Greene, editor of such films as Mel Brooks’ Blazing Saddles and Robert Altman’s M*A*S*H, among others, was an avid sportsman who had more nicknames than you could shake a golf club at […]