As the new comedy The Last Word premiered at the Sundance Film Festival January 24, editor Julia Wong, ACE, was recalling to CineMontage what a great experience she had cutting the movie. “Director Mark Pellington was a great collaborator and so much fun to work with,” she says. “We hit it off right away.” […]
The Membership Outreach Committee is proud to announce the success of the Master Class series, which was announced last fall. We have a great group of mentors lined up for 2017. […]
In 1988, I was an ill-adjusted Polish kid who moved with his mother and our two dogs to a rough Boston neighborhood — Dorchester. My English was OK. A year later, I saw my favorite movie, and although I don’t remember every detail of that day, I do remember it changed my life. […]
Christopher Gallie Lab Film Technician (June 8, 1962 – December 3, 2016) 19 years a member Eddie Grisby Lab Film […]
The differences in style between a UK unscripted TV show and its US genre equivalent is akin to swapping the frosty drizzle of London for the mid-winter sunshine of California. […]
As we approach our 80th anniversary, we are beginning a new epoch in the Motion Picture Editors Guild’s history, with Cathy Repola as our National Executive Director having followed Ron Kutak, who retired from that position last October after 32 years at the helm. […]
In the countless comedies he has written, directed and starred in during his 50-year career, Woody Allen comes across as a chatterbox. His on-screen persona is forever opining, grousing or whining about one thing or another. […]
Listening to singer-songwriter Halsey’s new single, “Not Afraid Anymore,” as it pulsates through a fresh Dolby Atmos mix on a stage at Universal Studios in the company of music editors Angie Rubin, MPSE, and Bill Abbott can be a bit of an unsettling experience. […]
ADR/Foley mixer Jesse Dodd, CAS, MPSE, never doubted that her career would be in show biz. […]
“When did ADR start?” It was a simple question, and our director was fond of asking simple questions. […]
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