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Home2019December

Month: December 2019

What Our Members Do

What Our Members Do: James Haley, Still Lab Technician

December 30, 2019

“In a billion years, the sun is going to burn out and every memory humanity holds will disappear into the void.” […]

Web Exclusives

‘The Thrill Is the Idea:’ Paul Hirsch Reveals the Secrets Behind Editing ‘Star Wars,’ and Writing His New Memoir

December 19, 2019

“This is the most narcissistic thing a person could do.” […]

Features

How the Sound Team Made Those Engines Roar in Matt Damon and Christian Bale’s Race Car Movie ‘Ford v Ferrari’

December 18, 2019

“The cars became characters in their own right – big and bold and real.” […]

Features

How Kate Corbaley, Powerful Reader at MGM in the 1930s, Paved the Way for Today’s Hollywood Literary Scouts

December 16, 2019

“It all depended on how Kate Corbaley narrated the story.” […]

Features

Pregnant in Post? The Quandary Over Benefits Can Lead to Some Unexpected, and Costly, Hurdles

December 13, 2019

“Having children makes you gutsy,. You don’t put up with a lot of BS because you have a family to consider.” […]

Columns

How Emilio Fernández’s Classic ‘Enamorada’ Boosted Mexican Cinema

December 13, 2019

“It was possible to create a Mexican cinema with our own actors and our own stories, without having to photograph gringos.” […]

Guild

Election Results for 2020 Board Seats Bring Four New Members, and Sharon Smith Holley as Secretary

December 12, 2019

As Secretary, Diane Adler will be replaced by Sharon Smith Holley […]

Awards

How Marty Cohen, Recipient of MPEG’s 2019 Fellowship and Service Award, Became a Post-Production Giant

December 11, 2019

“I’m an editor at heart.” […]

Web Exclusives

Tom Fleischman and Sound Editors Eugene Gearty and Philip Stockton Reveal the Silent Secrets of ‘The Irishman’

December 11, 2019

“Marty is totally focused on telling the story.” […]

Web Exclusives

How Editor Anne McCabe Helped Create ‘A Beautiful Day in the Neighborhood’ with Tom Hanks

December 10, 2019

“The cutting room is a place where you can take time to look at, and think about, what is the crux of the movie and what is really going on here?” […]

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