David Arnold passed away peacefully in his sleep after a six-year battle with a traumatic brain injury from a motorcycle accident. He was 59 and is survived by his loving wife Kathy, children Edward and Kaitlyn, mother Roberta, sister and brother-in-law Georgette and Daniel Lavery, sister Laura, and nieces and nephews. […]
by Rob Callahan Last June, my column in these pages invoked the cinematic trope of the cliffhanger to describe a […]
You might say that Tommy Vicari, CAS, is the beneficiary of good timing. A few years after director Sam Mendes and composer Thomas Newman were the toast of the film world for the Academy Award-winning American Beauty (1999), Vicari was asked to serve as scoring mixer on their follow-up film, Road to Perdition (2002). […]
Revered film editor Richard Marks, ACE, whose best known works include Serpico (1973), Apocalypse Now (1979) and You’ve Got Mail (1998), died on December 31. He was 75. […]
Motion capture, or MoCap, is the technique of capturing a human actor’s physical performance and applying the captured data to a 3D computer-generated character so that it moves in the same convincing, life-like manner. […]
As part of the IATSE union, the Editors Guild is fortunate to have plentiful resources to offer many benefits for our membership. These include training, seminars, mixers and screenings, to name a few. […]
I grew up in Santa Clarita during the 1970s. In my early teens, I’d go to work with my dad, Leonard Kroll, who, at the time, was the head of post-production at 20th Century-Fox. […]
Virtually every working editor understands that the job is defined as labor as well as creation, craft and, sometimes, art. The Motion Picture Editors Guild ensures that this labor is recognized with credits, respected within the industry and compensated fairly, and ensures that members are not abused by employers nor left destitute in old age. […]
I grew up at the movies. I lived in a neighborhood where most of the children were younger than I was, and therefore I had few friends my own age. I spent my time reading and going to the movies. These pursuits were my companions. […]
Prisons are not visually attractive. That may be why prison movies were not a significant genre during the silent era. But after the introduction of talking pictures and as sound technology was refined, the 1930s saw the studios turn out over 60 movies set in penitentiaries. […]
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