The old edict “Necessity is the mother of invention” certainly rings true for Foley artists — the people who create sounds for film and television. To be a Foley artist …
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A compilation of praise for Joseph A. Aredas.
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Television has its own way of telling stories, on screen and in the cutting room.
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Richard Halsey, A.C.E., lives by three rules: Be organized, listen to your intuition and always tell the truth. These are rules that the editor applies to his work, as well …
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CineMontage caught up with the two sound mixers as they were finishing work on ‘World War Z’ at Twickenham Studios in London.
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There’s a revolution going on at JJ Abrams’ Bad Robot Productions and it has nothing to do with aliens, plane crashes or spies. It’s a change in the way music …
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Let’s hear it for the longtime assistant for enabling the editor to keep story as the primary focus. Assistant editors are the foundation of the editing room — organizing, interfacing …
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Marvin Davis should have become a union organizer. Davis, a Field Representative in the Hollywood office of the Editors Guild, retired in February after a long and rewarding career in …
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“Let me just start out by saying that I have everything before Avatar, and then Avatar––because there was nothing normal about how we did this film”- Stephen Rivkin
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Since she discovered her passion for post-production while studying film at the University of California Santa Barbara, there was nothing up in the air about the career choice of Dana …
