Editors of ‘Jury Duty’ On How They Kept Order in the Court for Amazon’s Reality Series
“I was blown away by the ambition of it all, but the producers were very vague about what the final product would be.” […]
“I was blown away by the ambition of it all, but the producers were very vague about what the final product would be.” […]
“Peter Berg was open-minded when we started the project and wanted to see what we wanted to bring to it. He had this ongoing mantra to be fearless.” […]
“It’s a show that requires many elements, from graphics to sound design, and since the schedule is a bit tight from the recording moment to air day, the editors of the main show are divided between even and odd episodes. But as the weeks go by, we become one team.” […]
“It’s a story of a stepmom and a stepdaughter bonding. They’re totally unbonded at the beginning and they need to be a family by the end. That’s what I connected to.” […]
“We do one thing, we do sound.” […]
“My favorite part of this movie was that it allowed me to play. They handed me all the bells and whistles and said go for it, and find the balance.” […]
“I remember being stunned when I saw the first episodes with the cars floating freeform and the robots without the puppeteers.” […]
“I realized that through editing, I could say so much of what I had wanted to through directing.” […]
“The editors are elevated has been rare in my experience, and that was something incredibly unique about this show.” […]
“We discussed finding the balance of this ensemble piece, how to hit all the strong notes of nuance, and the obsessive artistry of Chef Slowik.” […]
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