“It’s a show that requires many elements, from graphics to sound design, and since the schedule is a bit tight from the recording moment to air day, the editors of the main show are divided between even and odd episodes. But as the weeks go by, we become one team.” […]
“It’s a story of a stepmom and a stepdaughter bonding. They’re totally unbonded at the beginning and they need to be a family by the end. That’s what I connected to.” […]
“We do one thing, we do sound.” […]
“My favorite part of this movie was that it allowed me to play. They handed me all the bells and whistles and said go for it, and find the balance.” […]
“I remember being stunned when I saw the first episodes with the cars floating freeform and the robots without the puppeteers.” […]
“I realized that through editing, I could say so much of what I had wanted to through directing.” […]
“The editors are elevated has been rare in my experience, and that was something incredibly unique about this show.” […]
“We discussed finding the balance of this ensemble piece, how to hit all the strong notes of nuance, and the obsessive artistry of Chef Slowik.” […]
“American Murderer” tells the true crime story of Jason Derek Brown (Tom Pelphrey), a classic con man swindling his way through a life of debauched luxury. […]
by Rob Feld In conversation, one gets the sense that Bob Ducsay, ACE, is at core an artist who just […]
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