Features
In ‘American Fiction’, Picture Editor Hilda Rasula Made the Most of a Commanding Lead Performance
“It is a performance-driven film so there’s nothing to hide behind.” […]
Articles by Rob Feld
Features
Hollywood Ending: Alisa Lepselter Cut What May – or May Not – Be Woody Allen’s Last Film, ‘Coup de Chance’
“In making a film, it is key to have a first-rate cinematographer and a first-rate editor,” Allen said. […]
Web Exclusives
Editors of ‘Jury Duty’ On How They Kept Order in the Court for Amazon’s Reality Series
“I was blown away by the ambition of it all, but the producers were very vague about what the final product would be.” […]
Web Exclusives
Garret Donnelly and Geofrey Hildrew On Cutting the Opioid Epic ‘Painkiller’
“Peter Berg was open-minded when we started the project and wanted to see what we wanted to bring to it. He had this ongoing mantra to be fearless.” […]
Features
The Editors Behind ‘The Masked Singer’ Can’t Disguise Their Passion for the Unscripted Hit
“It’s a show that requires many elements, from graphics to sound design, and since the schedule is a bit tight from the recording moment to air day, the editors of the main show are divided between even and odd episodes. But as the weeks go by, we become one team.” […]
Web Exclusives
Editors of ‘The Last Thing He Told Me’ Tell All in Cutting Jennifer Garner’s Apple TV+ Series
“It’s a story of a stepmom and a stepdaughter bonding. They’re totally unbonded at the beginning and they need to be a family by the end. That’s what I connected to.” […]
Features
How New York’s Sound Lounge Built Its Cred on Shows Like FX’s ‘The Bear’
“We do one thing, we do sound.” […]
Web Exclusives
Kayla Emter Talks Editing Eva Longoria’s Directorial Debut ‘Flamin’ Hot’
“My favorite part of this movie was that it allowed me to play. They handed me all the bells and whistles and said go for it, and find the balance.” […]
Web Exclusives
Fly Us to the Moon: Editors of Space Age Series ‘Hello Tomorrow!’ Talk Creating Comedy Lunacy
“I remember being stunned when I saw the first episodes with the cars floating freeform and the robots without the puppeteers.” […]
Web Exclusives
Nicole Vaskell Talks Cutting Picture on the Netflix Series ‘Outer Banks’
“I realized that through editing, I could say so much of what I had wanted to through directing.” […]
