Guided by Creative References: Plummy Tucker
Plummy Tucker found the time to talk to CineMontage about her varied career, including her upcoming projects. […]
Plummy Tucker found the time to talk to CineMontage about her varied career, including her upcoming projects. […]
“I am attracted to real stories about real people with real problems, without layered-on artificial drama or melodrama. This runs through almost everything I’ve done.” – Alex Hall […]
CineMontage interviewed the pair in late May about the new film and working with Abel Ferrara. […]
Film flows deeply through the blood of editor Christopher Rouse, A.C.E., as a third-generation participant in the industry. […]
Screenwriters aren’t the only ones benefitting from the richness of material now playing on cable television, or streaming from Netflix. The complexity of subject matter and shooting styles, previously the domain of theatrical film, are allowing series editors to stretch their legs as well. […]
CineMontage interviewed the two editors as they were finishing work on ‘The Hangover Part III.’ […]
Lawrence Silk, A.C.E., links his interest in documentaries to an early social consciousness, derived in part from his parents. As a teenager, Silk’s father had guided Eugene Debs through factories near Pittsburgh and, when they moved from Detroit to New York’s Washington Heights, Silk was well aware of the plight of the German Jewish refugees from the war, who were his classmates. […]
A project so reliant on the most updated, state-of-the-art filmmaking technology that it would have been inconceivable — let alone impossible to realize — even just few years ago, ‘Life of Pi’ presented director Ang Lee and his editor, Tim Squyres, A.C.E., with many challenges in post-production to get this film made. Squyres discussed them with CineMontage. […]
The charmed career of Tim Squyres, A.C.E., has evidenced one of the most enduring editor-director partnerships. […]
Darrin Navarro came to editing via a familiar path: An interest in movies led him to film classes at Los Angeles City College. Within a week or two of seeing what could be done by manipulating the choice of moving images, he knew this was the job for him. […]
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