Features
How the Post Team Captured That French Magic in ‘Emily in Paris’
What the ‘Emily in Paris’ editors learned about cutting and comedy […]
Articles by Peter Tonguette
Cover Story
How Affonso Gonçalves Found the Right Cuts in ‘The Lost Daughter’
How Affonso Gonçalves brought his ‘alive and buoyant’ editing to ‘The Lost Daughter’ […]
Web Exclusives
Appreciation: How Peter Bogdanovich, Film Savant, Edited His Movies
Bogdanovich died on January 6 at the age of 82. […]
Features
Pam Martin Serves Up the Edits in Tennis Biopic ‘King Richard’
How Pam Martin found the right shots in the tennis biopic ‘King Richard’ […]
Web Exclusives
Benjamin Rodriguez Talks Editing Paul Schrader’s ‘The Card Counter’
Rodriguez, who has been working with Schrader since the mid-2010s, is a comparative newcomer. The Cleveland native made his feature film debut as the editor on what was Schrader’s 19th directorial feature, the explosively original noir comedy “Dog Eat Dog” (2016). […]
Cover Story
‘WandaVision’ Editors on the Secrets of Mixing Classic-TV Sitcoms with Marvel Universe
“We were trying to support Wanda’s emotional journey through the different eras.” […]
Features
Michelle Tesoro and Wylie Stateman Talk Picture and Sound on ‘The Queen’s Gambit’
Picture editor Michelle Tesoro, ACE, wasn’t a chess expert when she began working on “The Queen’s Gambit.” And she still isn’t. […]
In Memoriam
In Memoriam: Milton Ginsberg, Documentary Editor and ‘Coming Apart’ Filmmaker, Dies at 85
By Peter Tonguette Milton Moses Ginsberg, a pioneering independent film director who maintained a career-long sideline as a picture […]
Web Exclusives
Dody Dorn Edits Zack Snyder’s ‘Army of the Dead’ to Help Kick Off Summer Movie Season
Zack Snyder’s “Army of the Dead,” which Netflix will release in theaters and via streaming on Friday, merges two seemingly irreconcilable genres: the zombie movie and the heist movie. […]
Features
Agents of Change: How WME Has Helped Clients Adjust to World in Flux
WME HELPS POST-PRODUCTION CLIENTS ADAPT TO A WORLD WRACKED BY PANDEMIC AND ECONOMIC SHIFTS. […]
