Cover Story
‘WandaVision’ Editors on the Secrets of Mixing Classic-TV Sitcoms with Marvel Universe
“We were trying to support Wanda’s emotional journey through the different eras.” […]
Articles by Peter Tonguette
Features
Michelle Tesoro and Wylie Stateman Talk Picture and Sound on ‘The Queen’s Gambit’
Picture editor Michelle Tesoro, ACE, wasn’t a chess expert when she began working on “The Queen’s Gambit.” And she still isn’t. […]
In Memoriam
In Memoriam: Milton Ginsberg, Documentary Editor and ‘Coming Apart’ Filmmaker, Dies at 85
By Peter Tonguette Milton Moses Ginsberg, a pioneering independent film director who maintained a career-long sideline as a picture […]
Web Exclusives
Dody Dorn Edits Zack Snyder’s ‘Army of the Dead’ to Help Kick Off Summer Movie Season
Zack Snyder’s “Army of the Dead,” which Netflix will release in theaters and via streaming on Friday, merges two seemingly irreconcilable genres: the zombie movie and the heist movie. […]
Features
Agents of Change: How WME Has Helped Clients Adjust to World in Flux
WME HELPS POST-PRODUCTION CLIENTS ADAPT TO A WORLD WRACKED BY PANDEMIC AND ECONOMIC SHIFTS. […]
Awards
Oscars 2021: Best Film Editing Nominees Frederic Thoraval and Alan Baumgarten Speak Out
“I’ve never worked for awards and wouldn’t ever imagine that it would be possible.” […]
In Memoriam
Appreciation: Bob Jones, Editing and Writing Wizard, Left a Lasting Mark on ’70s Cinema
“Bobby is the kind of guy who could do just about anything,” one colleague says. […]
Web Exclusives
How the Editing Team Made the Most of Fran Lebowitz for Martin Scorsese’s ‘Pretend It’s a City’
“Fran likes to talk. You just ask her a question and she can go on for 15 minutes. And part of the answer will not appear related to the question in any way.” […]
Web Exclusives
Tariq Anwar Helped Bring History to Life in Civil Rights Drama ‘One Night in Miami’
By Peter Tonguette Last year, picture editor Tariq Anwar, ACE, had a most unusual experience: His editing room came to […]
Features
Richard Pearson Talks (the Long-Delayed) ‘Wonder Woman 1984’
Picture editor Richard Pearson, A CE, did not set out to become a comedy specialist, an action guru, or a comic book connoisseur—but somehow, he has evolved into all three. […]
