Awards
Oscars 2020: Picture and Sound Editors and Mixers Speak Out on Their Nominations
“Many before have said filmmaking takes a village.”
Awards
Awards
Cathy Repola and Alan Heim to Receive Top Honors at ACE Eddie Awards
The Guild’s two top leaders are honored.
Awards
Oscars 2020: Here are All the MPEG Members Nominated for Academy Awards
The Oscar ceremony will be held February 9 at the Dolby Theater in Hollywood and will be telecast live on ABC.
Awards
How Marty Cohen, Recipient of MPEG’s 2019 Fellowship and Service Award, Became a Post-Production Giant
“I’m an editor at heart.”
Awards
Martin Cohen, Former Studio Post-Production Chief, Will Receive Fellowship Award
Onetime head of post-production at Amblin and Paramount will be honored at October 5 gala.
Awards
Oscar’s Five Favourite Editors Talk Shop
The 19th annual Invisible Art Visible Artists event with Academy award-nominated picture editors took place on Saturday morning, February 23 at the Egyptian Theatre in Hollywood. As in preceding years, the event drew a near-capacity crowd excited to hear the panelists converse about the art of editing.
Awards
2019 Oscars: Post-Production ‘Rhapsody’
Once again, in what has become a trend at recent Oscars, the awards in all three post-production categories were swept by the same film, in this year’s case ‘Bohemian Rhapsody,’ the biopic of the British rock band Queen and its charismatic lead singer, Freddie Mercury.
Awards
Oscar-Worthy Re-Recording Mixers
At the 2019 Oscars, the nominees in the Sound Mixing category have worked on a wide variety of movie genres, from the super-heroes of ‘Black Panther’ to the Oscar-nominated Rami Malek’s turn at stadium rock with the band Queen in
Awards
Oscar-Worthy Sound Editors
As on previous occasions, the 91st Academy Awards nominees in the Best Sound Editing category covered a number of noteworthy narratives, from the hidden but advanced kingdom of Wakanda, through a biopic of a 1970s rock ensemble
Awards
Oscar-Worthy Film Editors
This year, for the first time since the Academy started giving an Oscar for Best Editing in 1934, all five editors were nominated for their work on movies based on actual events, with casts largely portraying historical figures. Two of the
