Howard Hawks’ ‘Rio Bravo'(1959)
By consuming the wine and wafer, we vicariously channel the divinity of Christ, and, by watching ‘Rio Bravo’, I was vicariously channeling the courage of John Wayne. […]
By consuming the wine and wafer, we vicariously channel the divinity of Christ, and, by watching ‘Rio Bravo’, I was vicariously channeling the courage of John Wayne. […]
Clowns is a hilarious, startling mix of stage-bound dialogue scenes and wildly inventive montages scored by marches, Dixieland jazz and, occasionally, Jason Robards strumming a ukulele. […]
‘Last Year at Marienbad’ remains one of the most famous films made, perhaps because it is so elegant––and yet so infuriating. […]
This was unlike any movie I had ever seen. The movie unfolded with a slow, measured pace, revealing image after gorgeous image. […]
Though Jack Sullivan won an Oscar for Best Assistant Director for ‘The Charge of the Light Brigade’, it is the breathtaking editing by George Amy of the charge that makes the film a classic. […]
Watching ‘Member of the Wedding’ made me aware for the first time of the art of editing. […]
‘Cabaret’ proved that a mainstream musical could feature avant-garde editing and design, and be sexually unconventional and political. […]
Napoléon vu par Abel Gance has had as many comebacks as the conqueror it portrayed, yet has always remained Waterloo-proof. […]
Chaplin’s on-screen mixture of humor, acrobatics and pathos has an almost magical ability to put a smile in one’s heart. […]
High Noon has often been interpreted as an anti-McCarthy era story of mass cowardice when confronted by evil. It is a moot point now because the story has multiple meanings as a personal epiphany. […]
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