
Hollywood ‘Babylon’: How the Post-Production Team Brought the 1920s Back to Life
“It may be the hardest movie I’ve ever worked on.” […]
“It may be the hardest movie I’ve ever worked on.” […]
How the Editing Team Resurrected Watergate in ‘Gaslit […]
For those who work in post-production, the long hours spent poring over dailies, collaborating with directors and producers, and making scenes just so are rewarded when audiences respond appreciatively. […]
How Michael Kahn and Sarah Broshar Edited Steven Spielberg’s ‘West Side Story’ […]
How Affonso Gonçalves brought his ‘alive and buoyant’ editing to ‘The Lost Daughter’ […]
“We were trying to support Wanda’s emotional journey through the different eras.” […]
The comedy from Apple TV+ grew into a sleeper hit during the nadir of the pandemic last year and has already been renewed for a second season, coming this summer. […]
It always upset me that people felt that I needed to change in their eyes, that I was never good enough in my own skin or attire. My true identity was constantly challenged through the early years of my career. […]
by A.J. Catoline “I have to pinch myself at times,” said picture editor James D. Wilcox, ACE. Wilcox has good […]
In a world of lockdowns and social unrest, home entertainment helped keep people rooted during a time of fear and uncertainty. […]
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