By Kristin Marguerite Doidge   Supervising sound editor Lauren E. Price knows the importance of rhythm in music — and in comedy. A self-taught musician, she comes from a musical …

By A.J. Catoline   Tuning into HBO’s “The White Lotus” is like checking into a luxury resort where every fruity cocktail is served up with a chaser of dread. The …

‘I know first-hand how badly editors need to keep moving.’

Helping make the mystery—and the wit—come to life are supervising sound editors Mathew Waters and Danika Benton Wikke.

“I’ve watched the ‘Star Wars’ films in the past and recognize the famous characters, but didn’t know much beyond that. So coming into this big galaxy was both exciting and …

Working with film took Lame back to the dawn of her career. Lame noted that most editors her age and younger have worked only in the digital world, so the …

‘It’s all about making this movie fly, transform and transport audiences.’

“Our events have been a great way for us to increase engagement with our membership as well as reach people who aren’t yet in the union and still have questions.”

“It may be the hardest movie I’ve ever worked on.”

How the Editing Team Resurrected Watergate in ‘Gaslit