Features
Dede on Digital: An interview with Dede Allen by Mia Goldman Part 1
Dede Allen took to digital editing with the same curiosity and determination that motivated her throughout her career. […]
Features
Features
A Conversation with Dan Hanley and Mike Hill
Dan Hanley and Mike Hill demonstrated a remarkable partnership and lack of personal ego, describing their process with humor and modesty. […]
Features
A Conversation with Don Brochu, Bruce Stambler and Chris Ledesma
Picture Editor Don Brochu, sound effects supervisor Bruce Stambler and music editor Chris Ledesma joined forces for this fireside chat that focused on collaboration and the importance of sound. […]
Features
Dede on Digital: An interview with Dede Allen by Mia Goldman Part 2
Dede Allen discusses some of the new pressures that have affected editors, the increasing use of editors as film doctors and the changing hierarchy of the cutting room for assistants. […]
Features
DV Filmmaking: Carol Littleton on ‘The Anniversary Party’
Carol Littleton offered her impressions of the format, and described the advantages and pitfalls she encountered. […]
Features
Peter Honess & Frank Urioste: Two Long-Time Friends Part 2
Frank Urioste and Peter Honess talk about the movies most pivotal to their careers, the evolution of filmmaking and working in the executive suite. […]
Features
Farrel Levy and Stan Salfas: Creative Challenges in Television (Part 1)
Farrel Levy and Stan Salfas talk about television as a medium, why it can be fulfilling for an editor and how they nurture the work of their assistants. […]
Features
Documentary Roundtable: Finding the Thread
Documentary editors talk about their craft, how they approach their work and the impact of new technology.
Features
King Kong is Coming Back
‘King Kong’ (1933) was a pioneering film in many ways, including post production. […]
Features
Editing a Lifetime in ‘The Final Cut’: Dede Allen, Robert Brakey and Omar Naïm
The three filmmakers recently convened to discuss the concepts and the process behind the making of this film, as well as its relationship to the craft of editing. […]
