Let us introduce ourselves: We are the Membership Outreach Committee. The committee was established by the Editors Guild Board of Directors as an avenue through which members can interact with each other to generate and distribute solutions to issues that you, the membership, help identify. […]
The documentary form has been around since the beginning of cinema, and over the past 15 years, pundits have bruited this past decade and a half as “The Golden Age of Documentaries.” No matter the platform — theatrical, television or online — documentary has transformed itself from the margins to the mainstream as a galvanizing and provocative art form. […]
Looking back on a fulfilling career, David Saxon reflected on his affinity for editing. […]
“I worked with the sound people creating the backgrounds for the radio station, commercials, and newscasts-it opened my eyes to post-production. That’s when I realized I’d like to be a music editor.” – Bill Abbott
Cinemontage talked to Robert Knudson in his office on Seward Street for this two-part interview. […]
Robert Knudson talks about schedules, ‘eye-ear coordination’ and drugs and alcohol in the ’60s. […]
Kay Rose talks about the relationships between mixers and sound editors, her role as an independent and the power of sound to create drama and shape story.
Anne Coates told stories of cutting rooms and editorial decisions, but more than that, she showed that she still has a tremendous passion for the work she does. […]
Steve Mirkovich and Allen Daviau talk about problems with previews and video dailies, the longevity of 35mm film, changes in editorial styles and more. […]
Steve Mirkovich and Allen Daviau discuss the importance of defending their crews, why they choose one project over another, and how they deal with the stress of tight schedules. […]
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