Features
Minding Their Beats and Cues: Despite Some Discord, Music Editors Play On
Stephanie Lowry provides a roadmap to some of the issues being dealt with by the rank and file music editors. […]
Features
Features
The Sounds of ‘War’
Though many documentary producers cut corners on sound editing, relegating it to the bottom of the production budget, filmmaker Ken Burns is the opposite. […]
Features
Cutting Up in the Workplace: ‘The Office’ Editors Have Too Much Fun on the Job
You don’t find too many editors who work office jobs. David Rogers and Dean Holland do, however. Only their office is ‘The Office’. […]
Features
Mixing with Vision: Technical Directors Call the Shots
While Technical Directors are still looked to for crew leadership and a smooth-running show, changes are coming furiously.
Features
Soundtrack Diplomacy: Music Editor Joseph DeBeasi’s Role as Interpreter
Joseph DeBeasi has worked as a music editor and composer. Throughout his career, he has developed a keen sense of his job, as it has developed over time, as technician, creative, diplomat and interpreter. […]
Features
No Second Guesser: Terry George Likes to Leave Editors Alone
Terry George certainly knows his way around an intense drama. His tales require perfect pitch and rhythm. To maintain that balance, George repeatedly turns to editor Naomi Geraghty. […]
Features
Ingmar Bergman’s: ‘PERSONA’ (1966)
Persona is Bergman’s meditation on identity, the nature of art, loneliness and the inability of man to ever truly communicate with another. […]
Features
Francis Ford Coppola & Walter Murch Reunite for ‘Youth Without Youth’
CineMontage recently spoke to Francis Ford Coppola and Walter Murch in separate interviews. […]
Features
Two Emotions at Once: A Novel Approach to Film Editing
An excerpt from Rachel Cline’s novel ‘My Liar.’ […]
Features
In Love with the Artist’s Process: Assistant Editor Alex Kopit
CineMontage asked Alex Kopit about his background and his approach to assistant editing. […]
