Web Exclusives -

Three-Time Emmy Nominee Angel Gamboa Bryant On Editing Comedy for Wanda Sykes, Mel Brooks

September 8, 2023

By Kristin Marguerite Doidge Growing up as a first-generation Mexican-American, Angel Gamboa Bryant thought she might have a career […]

‘Extremely Demanding’: William Friedkin’s Editors Remember the Oscar-Winning Director

September 7, 2023

“He didn’t like cuts being in predictable places. In other words, one of the things that you often strive for in editing is to make the editing disappear: somebody finishes the line and the next person speaks, and you cut to it right away. Billy was always most interested in making unpredictable cuts that, in his mind, were better.” […]

Doug Mountain Talks About Remastering Bruce Lee’s ‘Enter the Dragon’ for 50th Anniversary Release

August 24, 2023

By Mel Lambert With Dolby Atmos immersive playback now available in an increasing number of consumer environments, is it […]

Harry Yoon and Stefanie Visser Talk Editing ‘Aristotle & Dante Discover the Secrets of the Universe’

August 18, 2023

By Kristin Marguerite Doidge Just as the protagonists in “Aristotle & Dante Discover the Secrets of the Universe” find […]

Susan E. Kim Talks Editing the World War II Historical Drama ‘A Small Light’

August 17, 2023

“When I read the pilot script, I was struck by how important it is that we understand the story is still relevant today.” […]

Not ‘a Wacky Rom-Com’: Josh Beal Talks Editing ‘Fleishman Is in Trouble’

August 14, 2023

“I’ve always loved cutting arguments between couples, or arguments in general.” […]

Editors of ‘The Last Thing He Told Me’ Tell All in Cutting Jennifer Garner’s Apple TV+ Series

August 11, 2023

“It’s a story of a stepmom and a stepdaughter bonding. They’re totally unbonded at the beginning and they need to be a family by the end. That’s what I connected to.” […]

Nick Houy on Editing ‘Barbie’ and Mentoring the Next Generation of Editors

August 8, 2023

“A movie’s like an album. It has to flow properly in a lot of ways, and you have to be able to dance to the rhythm of the dialogue and the rhythm of the scenes and motion.” […]