Guild
Cathy Repola Talks Return to MPIPHP Board
By A.J. Catoline Cathy Repola, National Executive Director of Motion Picture Editors Guild, recently announced to Local […]
Web Exclusives
Web Exclusives
Picture Editors of ‘Fatal Attraction’ on Updating a Classic Thriller for Modern Times
“Here was this grand opportunity to work with a majority female crew in terms of the top positions: majority female directors, a female showrunner, and majority women in post.” […]
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Three-Time Emmy Nominee Angel Gamboa Bryant On Editing Comedy for Wanda Sykes, Mel Brooks
By Kristin Marguerite Doidge Growing up as a first-generation Mexican-American, Angel Gamboa Bryant thought she might have a career […]
Web Exclusives
‘Extremely Demanding’: William Friedkin’s Editors Remember the Oscar-Winning Director
“He didn’t like cuts being in predictable places. In other words, one of the things that you often strive for in editing is to make the editing disappear: somebody finishes the line and the next person speaks, and you cut to it right away. Billy was always most interested in making unpredictable cuts that, in his mind, were better.” […]
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Doug Mountain Talks About Remastering Bruce Lee’s ‘Enter the Dragon’ for 50th Anniversary Release
By Mel Lambert With Dolby Atmos immersive playback now available in an increasing number of consumer environments, is it […]
Web Exclusives
Harry Yoon and Stefanie Visser Talk Editing ‘Aristotle & Dante Discover the Secrets of the Universe’
By Kristin Marguerite Doidge Just as the protagonists in “Aristotle & Dante Discover the Secrets of the Universe” find […]
Web Exclusives
Susan E. Kim Talks Editing the World War II Historical Drama ‘A Small Light’
“When I read the pilot script, I was struck by how important it is that we understand the story is still relevant today.” […]
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Not ‘a Wacky Rom-Com’: Josh Beal Talks Editing ‘Fleishman Is in Trouble’
“I’ve always loved cutting arguments between couples, or arguments in general.” […]
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Editors of ‘The Last Thing He Told Me’ Tell All in Cutting Jennifer Garner’s Apple TV+ Series
“It’s a story of a stepmom and a stepdaughter bonding. They’re totally unbonded at the beginning and they need to be a family by the end. That’s what I connected to.” […]
Web Exclusives
Nick Houy on Editing ‘Barbie’ and Mentoring the Next Generation of Editors
“A movie’s like an album. It has to flow properly in a lot of ways, and you have to be able to dance to the rhythm of the dialogue and the rhythm of the scenes and motion.” […]
