The comedy from Apple TV+ grew into a sleeper hit during the nadir of the pandemic last year and has already been renewed for a second season, coming this summer. […]
“My job is to understand the vision and tone of the director and director of photography of a project.” […]
By Peter Tonguette Milton Moses Ginsberg, a pioneering independent film director who maintained a career-long sideline as a picture […]
“Allyson is an extraordinary film editor with the most marvelous sense of musical rhythm that permeates her entire process of cutting and shaping motion picture,” says Mira Nair. […]
Asian American picture editors Chew, Lisa Lassek and William Hoy, ACE, discussed their influences, their careers and the cultural experiences that shaped them during a “Celebrating Asian Pacific Heritage Month” Zoom seminar hosted by Edie Ichioka, ACE, on May 15 and presented by MPEG’s Pan Pacific Asian Steering Committee. The panel also deconstructed examples of their work and offered advice to members in the well-received session. […]
“It’s not about realism after a certain point. It’s about emotional value.” […]
Zack Snyder’s “Army of the Dead,” which Netflix will release in theaters and via streaming on Friday, merges two seemingly irreconcilable genres: the zombie movie and the heist movie. […]
After “Sully,” Murray cut “The 15:17 to Paris” for Eastwood, “Glass” for M. Night Shyamalan, and recently finished “The Water Man” for actor-cum-director David Oyelowo. […]
“I did an edit without his input and sent it to him at his home in Russia. Though he didn’t say so at the time, he hated it.” […]
“With digital everything comes to you. That means you have a lot more to look at, a lot more to assess.” […]
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