Maurice Schell on ‘All That Jazz’
by Peter Tonguette As personal projects go, Bob Fosse’s All That Jazz is hard to top. The 1979 musical drama […]
by Peter Tonguette As personal projects go, Bob Fosse’s All That Jazz is hard to top. The 1979 musical drama […]
In 2004, after spending a decade working with Martin Scorsese and Thelma Schoonmaker, ACE, assistant editor Tom Foligno finally got his first chance to be an editor. It wasn’t in the cutting room, however, but on the big screen. […]
A compilation of praise for award winning editor, Dede Allen […]
Production felt like endless problem solving––whereas editing was about storytelling using a vocabulary of images and sounds, and that excited me. […]
Warner Bros. released Sam Peckinpah’s The Wild Bunch, firing a warning shot to the older generation that they better change with the times or risk irrelevance. […]
Let’s hear it for the longtime assistant for enabling the editor to keep story as the primary focus. Assistant editors are the foundation of the editing room — organizing, interfacing and problem- solving. […]
Editing in the world of Reality Television is nothing like editing scripted drama, comedy or MOWs in television. It’s not the craft that’s dissimilar; it’s the approach, terminology and producer structure. […]
Through several TV projects and five feature films, the relationship between editor Dan Lebental, A.C.E., and director Jon Favreau has evolved to the point where Lebental views himself as Favreau’s creative consultant when it comes to helping the director figure out exactly where his movies are going. […]
CineMontage interviewed the two editors as they were finishing work on ‘The Hangover Part III.’ […]
CineMontage spoke with Michael Tronick, A.C.E. as he was finishing work on ‘2 Guns’. […]
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