Membership Outreach
Whatever Happened to Mentorship?
The Guild membership has expressed alarm at the lack of mentorship opportunities and on-the-job training in post-production today. […]
Assistant Editors
Letters to the Editor
AE: Shorthand or Disrespect
Assistant Editors respond to the “AE v. Assistant Editors” controversy. […]
Features
Assistant Living: Kyle Gilman Keeps Busy as He Works His Way Toward Editor
CineMontage recently spoke to Kyle Gilman about working with Hal Hartley, as well as his experience as assistant editor on three 2008 features. […]
Features
THE E-RING: TV Editors Panel Discuss the Realities of the New Fall Season
CineMontage spoke to half a dozen editors working on this season’s leading episodic dramas, and reality shows to find out what their challenges are. […]
Features
In Love with the Artist’s Process: Assistant Editor Alex Kopit
CineMontage asked Alex Kopit about his background and his approach to assistant editing. […]
Features
Boning Up on Editing: A Tale of Three Assistants Who Got the Bump
Although these occurrences are far from commonplace, they are testament to the talent of these assistants-turned-editors. […]
Uncategorized
UNION MADE: When Technology Comes Naturally
I have had some great mentors during my career, and would love to give back. With a little luck, I will have the opportunity to edit full time and, maybe one day, I will have an assistant look back at my help and thank me. […]
Features
Assisting in the Digital Age: Avatar’s Jason Gaudio
“Anything that doesn’t sound familiar is probably a new experience for an assistant, Avatar is that kind of project.” – Jason Gaudio […]
Features
This is London: “The Pacific” producer Discusses Workflow
When London was readying The Pacific’s post-production workflow in 2007, he participated in two key decisions—to shoot the miniseries on film rather than acquiring it on emerging file-based systems, and to edit simultaneously with production in Australia, bringing along three editors. […]
Columns
Stephanie Lowry on ‘61*’
Even if she was not a lifelong fan of the New York Yankees, music editor Stephanie Lowry would have been proud of having worked on the made-for-television movie ’61*.’ […]
