WHAT OUR MEMBERS DO: Reid Kimball, Assistant Editor
“My disability in a way makes me a better assistant editor because communication is so important to me.” […]
“My disability in a way makes me a better assistant editor because communication is so important to me.” […]
Where are you currently employed? I’m in the early steps of editing a horror-comedy feature. It’s a little project […]
“I still miss greeting the office with a daily ‘Hey FAM!'” […]
“The pandemic has allowed us to realize we can change our minds. You can work your whole life toward something and then, after doing it a while, realize it’s not for you. And that’s ok.” […]
“Assistant editing is really dualistic. There’s all the technical stuff: dailies intake, media organization and QC, prep for the editor, spot checks and vendor turnover, but it also requires the ability to flip and do a lot of creative work.” […]
Where are you currently employed? I’m currently working for Sony Pictures Television. I also serve as an assistant editor representative […]
“We were trying to support Wanda’s emotional journey through the different eras.” […]
When you worked with Angela, you knew everything would turn out perfectly. […]
After “Sully,” Murray cut “The 15:17 to Paris” for Eastwood, “Glass” for M. Night Shyamalan, and recently finished “The Water Man” for actor-cum-director David Oyelowo. […]
As Hollywood continues to move toward reopening, Avid CEO Jeff Rosica caught up with The Hollywood Reporter, sharing the company’s views on a range of topics from the future of remote and […]
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