Terry Rawlings: The ‘Phantom’ Hand Behind Great Movies
Rawlings discussed his career in a telephone conversation with CineMontage. […]
Rawlings discussed his career in a telephone conversation with CineMontage. […]
Legendary movie producer Sam Goldwyn wrote the quote, opposite, in an article for The New York Times Magazine in 1949, just as television was emerging as a major mass medium. […]
His most memorable film? Don’t ask that of Paul Hirsch, ACE. The Academy Award-winning editor does not believe in the concept, and a quick perusal of the more than 40 films to his credit suggests the futility of that exercise: Is it Carrie (1976) or Star Wars (1977)? The Empire Strikes Back (1980) or Ferris Bueller’s Day Off (1986) — or something else? […]
After 40 years, Robert Altman’s satiric tapestry of American society looks more accurate than ever. […]
Many of the people who work in the production and post-production communities are, by their very nature, unsung heroes. […]
John Thornton Caldwell, a Professor of Cinema and Media Studies at UCLA, has published an up-to-date field study of contemporary production. […]
Television has its own way of telling stories, on screen and in the cutting room.
Since 2010, Rizzoli & Isles has been entertaining television audiences with the snappy banter between its two leads, Detective Jane Rizzoli (Angie Harmon) and Medical Examiner Dr. Maura Isles (Sasha Alexander), and the complex murder mysteries they solve. […]
Zodiac’s main creative challenge was the effort to make the story feel alive, while telling it as efficiently as possible, […]
Carol Littleton offered her impressions of the format, and described the advantages and pitfalls she encountered. […]
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