2024
Cut to Black: Kaela Brown, Assistant Finishing Colorist
She hangs her coat at Marvel Studios as an assistant finishing colorist! […]
Colorists
2024
Cut to Black: Tawan Bazemore, Colorist and Editor
He is captured by the mix of color and it’s emotional impact and narrative depth of a visual story. […]
Union Made
Union Made: He Grew Up In Florida, But the Lure Of Filmmaking Drew This Colorist Back to California
By Doug Drake Although I grew up in the Florida Keys, I was born in San Diego at the Balboa […]
2024
Cut to Black: Dion Harvey, Colorist+Editor
“The Matrix” and “KILL BILL” films inspired Dion tobecome an Editor. […]
Web Exclusives
WHAT OUR MEMBERS DO: Sheri Eisenberg, Colorist
“Being part of a union matters. We, as a creative force, matter.” […]
Features
Out of Omaha: How a Childhood Movie Fascination Led to a Career
By Matt McFarland When I was g rowing up in Omaha, Nebraska, during the ’70s and ’80s, movies were […]
Features
Technology: How the Latest AI Helps Colorists Do Their Jobs Better
AI technology (probably) isn’t the humanity-destroying rise of the machines that some fear—at least not in the world of post-production. It’s showing up all over the film industry, from helping to cast actors to achieving incredible visual effects transformations, like turning actor Josh Brolin into Thanos for “Avengers: Infinity War.” […]
Web Exclusives
What Our Members Do: Chad Littlepage, CSI, Finishing Colorist
“My job is to understand the vision and tone of the director and director of photography of a project.” […]
What Our Members Do
What Our Members Do: Gregory K. Creaser, Lead Finishing Colorist
Where are you currently employed? DreamWorks/NBCUniversal. Current Project? “Trolls World Tour,” which is the sequel to “Trolls” (2016). This is […]
Columns
Mary Lee Parisi on ‘Trading Spouses: Meet Your New Mommy’
When colorist Mary Lee Parisi sits down with a show for the first time, she often focuses on the picture alone. “When you first get the tape, you kind of shuttle through to get an idea of what it’s about,” she says. […]
