Few Americans, even those who work with motion picture sound, have heard of the Tagefon and Shorinofon systems, but readers interested in the intricacies of how sound first meshed with cinema can learn about these machines and the artists who used them. […]
On a chilly Thursday evening in mid-November, the Hollywood Professional Association (HPA, formerly the Hollywood Post Alliance) celebrated the presentation of its 11th Annual HPA Awards at the Skirball Cultural Center in Los Angeles. […]
Kay Rose’s approach to sound editing has always been through story. […]
I recently traveled to Paris to mix ‘Le Divorce’. […]
On November 18, Paul Hirsch and I sat down for an interview. […]
Many of the first individuals who won Academy Awards in the picture editing and sound categories were pioneers in their respective fields. […]
Perhaps no other classification in the Guild is so caught in the middle between yesterday and tomorrow, with one foot in the analogue past and the other in the digital present, and a future that is still very much to be determined. […]
With an electronics background in the Guard, I acquired a 1st Class FCC license in the hope that it might open a door to the industry––and it did! […]
What is a Foley artist? 41 years after its namesake’s death, Foley is among the last bastions of organic filmmaking––a cinematic art that is still relatively untouched by the digital revolution, and whose true origin belongs more to the Golden Age of radio than to the visual medium it so greatly enhances. […]
Though their jobs run the gamut from low-tech to the highest levels of digital file management, they all have certain attributes in common: an ability to step into a variety of situations. […]
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