Web Exclusives
Jeff Groth on Editing Joaquin Phoenix in ‘Joker’: ‘He Was Free to Experiment, So He Did’
“We wanted to do something different, not just from Batman, but from all comic-based films.” […]
film editing
Web Exclusives
Tom Eagles on Editing Taika Waititi’s ‘Bonkers’ Hitler Movie ‘Jojo Rabbit:’ The ‘Tone Was a Tightrope Walk From the Start’
“We had to make people feel comfortable enough to laugh, without beveling off any of the hard edges or flinching from the subject matter.” […]
Web Exclusives
Kayla Emter On Editing Club Scenes, Chopin Music and J-Lo’s Sexy Pole Dance in Lorene Scafaria’s ‘Hustlers’
“There were a few dance moves that made my jaw drop.” […]
Web Exclusives
Princeton’s Su Friedrich and Her Website Salute the Vital, Often Unsung Work of Women Editors Throughout History
“It was extremely difficult to find more than the skimpiest info about editors, so I just kept digging and digging.” […]
Web Exclusives
John Axelrad and Lee Haugen Take Editing Voyage into Deep Space with Brad Pitt in James Gray’s ‘Ad Astra’
“’Ad Astra’ is an existential journey. The further Roy McBride travels out into space, the deeper we go into his soul. It’s really a dive into the subconscious.” […]
Web Exclusives
Kelley Dixon Talks About Editing John Crowley’s ‘The Goldfinch’
“I recognized early on what this kid was going through and how he felt.” […]
Web Exclusives
Emmys 2019: Laura Weinberg Unpacks the Editing in Netflix’s ‘Russian Doll’
“Comedy is very subjective, and it’s so hard to do.” […]
Uncategorized
Roger Barton and Evercast Look for a Better Way to Edit
Faced with a demanding career and a time-crunched personal life, a veteran film editor is behind a new system designed to help colleagues find the right balance. […]
