Committee News
Empathy for Showrunners? Yes, and Much More at MPEG’s Workshop for Newly Promoted Assistant Editors
“You have to work your courage muscle to develop a sense of self-confidence.” […]
film editing
Web Exclusives
How Can Women Advance in Post Careers? Four Top Pros Shared Their Tips and Personal Stories at Power Summit
The panel, moderated by Guild National Executive Director Cathy Repola, offered a front-line perspective on issues faced by women in post-production, with tips, personal stories and practical wisdom from four pros in the industry. […]
What Our Members Do
What Our Members Do: Sharon Smith Holley, Visual Effects (VFX) Editor
“Don’t wait till you retire to do your passion projects.” […]
Web Exclusives
Web Exclusives
Jeff Groth on Editing Joaquin Phoenix in ‘Joker’: ‘He Was Free to Experiment, So He Did’
“We wanted to do something different, not just from Batman, but from all comic-based films.” […]
Web Exclusives
Tom Eagles on Editing Taika Waititi’s ‘Bonkers’ Hitler Movie ‘Jojo Rabbit:’ The ‘Tone Was a Tightrope Walk From the Start’
“We had to make people feel comfortable enough to laugh, without beveling off any of the hard edges or flinching from the subject matter.” […]
Web Exclusives
Kayla Emter On Editing Club Scenes, Chopin Music and J-Lo’s Sexy Pole Dance in Lorene Scafaria’s ‘Hustlers’
“There were a few dance moves that made my jaw drop.” […]
Web Exclusives
Princeton’s Su Friedrich and Her Website Salute the Vital, Often Unsung Work of Women Editors Throughout History
“It was extremely difficult to find more than the skimpiest info about editors, so I just kept digging and digging.” […]
Web Exclusives
John Axelrad and Lee Haugen Take Editing Voyage into Deep Space with Brad Pitt in James Gray’s ‘Ad Astra’
“’Ad Astra’ is an existential journey. The further Roy McBride travels out into space, the deeper we go into his soul. It’s really a dive into the subconscious.” […]
Web Exclusives
Kelley Dixon Talks About Editing John Crowley’s ‘The Goldfinch’
“I recognized early on what this kid was going through and how he felt.” […]
