“Online editing may seem a little less creatively rewarding compared to offline editorial, but I find visual effects to be a satisfying creative outlet by developing new workflows and solving problems in session and on the fly.” […]
Marion was known for her dedication to bringing the director’s vision to the screen, and she was fiercely loyal to the many varied directors she worked with. […]
“A movie’s like an album. It has to flow properly in a lot of ways, and you have to be able to dance to the rhythm of the dialogue and the rhythm of the scenes and motion.” […]
By Patrick Z. McGavin Through his collaborations with Judd Apatow, Adam McKay and Paul Feig, Brent White, ACE, is […]
By Su Fang Tham With its entrancing medley of neon-drenched kinetic action, pulpy narrative, and a retro-cool mythological world, director […]
Text-Based Editing, empowered by AI, starts by automatically transcribing your source media and generating accurate text transcripts of all the dialogue. By associating names to the different voices, Text-Based Editing will automatically identify who’s speaking. […]
“I was first drawn to film editing because of how similar it felt to writing. It’s the part of the process where you give language to cinema.” […]
“History is seductive for me.” […]
“We both came to this with a lot of fear and anxiety about how to accomplish all of this technical wizardry.” […]
Last fall, in a sign of the times for streaming entertainment, “Dancing with the Stars” moved to Disney+. The show continued to stream live on Monday nights for the duration of its 31st season, in a first for Disney+. It was also first for a major broadcast show to move to a streamer for live worldwide streaming without ads. […]
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