I grew up in Deep River in Northern Ontario, Canada in the 1970s, an idyllic place to live as far as catching frogs and running through the woods, but I didn’t get to see movies in the cinema very often. […]
There was a time, in the 1980s in San Diego, when there weren’t any theatres that showed foreign, independent or avant-garde films except for one place: the Unicorn Theatre. […]
The blacklisting of Communists, former Communists, union supporters, socialists and people whose only agenda was to create films was a fact of life in the entertainment industry during the 1950s and 1960s. […]
After 90 years, the premiere of Sergei Eisenstein’s October on November 7, 1927 at Leningrad’s Bolshoi Theatre still endures as the most famous screening of an unparalleled motion picture epic that was never shown publicly in its entirety. […]
October 1978. A weekday afternoon in Manhattan. I stumble into daylight, having just experienced something which has so floored me that I’m numb, twisted around, and can’t remember which subway takes me back downtown — so I start walking, trying to make sense of what I’d just seen. […]
In ‘The King of Comedy’ (1983), directed by Martin Scorsese from Newsweek film critic Paul D. Zimmerman’s script, fledgling comic Rupert Pupkin wants to be a star. Obsessed with celebrity itself, he emerges from the subculture of fandom to take a shot at fame by kidnapping late night talk show host Jerry Langford. […]
Looking back on a fulfilling career, David Saxon reflected on his affinity for editing. […]
Anne Coates told stories of cutting rooms and editorial decisions, but more than that, she showed that she still has a tremendous passion for the work she does. […]
Droidmaker takes the reader inside the early years of Lucasfilm’s computer division. George Lucas foresaw a time when film would be replaced by a digital, high-resolution alternative that was neither film nor video. […]
During the Golden Age of Hollywood, Louis B. Mayer, Darryl F. Zanuck and Cecil B. De Mille were powerful enough to determine who would work in the American film industry. […]
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